Download After the Camera: Digital Transformations for Conceptual by Thom Rouse PDF
By Thom Rouse
This booklet includes a number of appealing graphics that collide with a wierd collections of elementsone portrait, entitled Shhhh, is coupled with decorative wood fish, goose wings, and components of an airplane; one other, referred to as Andromeda, makes use of advanced Photoshop mixing thoughts and texture layers to create a Gustav Klimt-inspired think within the photographto create a storytelling piece that elevates the portrait to an exceptional paintings classification. On web page after web page, you’ll notice how Rouse conceptualized the featured murals, the stairs he took to carry the idea that to lifestyles, and the interestingly appealing inventive portrait result.
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Additional info for After the Camera: Digital Transformations for Conceptual Nude & Portrait Photography
Postproduction involved selecting the entire subject and applying multiple texture layers yielding both the texture and color manipulations. Then, a series of individual selections of the hands, feet, forearm, thigh, and so on was made. I put these selections on their own layers using a low opacity Bevel 8 Emboss layer style. This was an early image using this technique. In later images the technique was expanded, and I used it in more complex ways, but the fundamental technique has remained the same.
High Stakes Chess 51. Exile 52. Serious Moonlight 53. The Fisherman舗s Daughter 54. Sisters of Mercy 55. The Unbearable Lightness of Being 56. Wood Nymph 57. Time After Time 58. Windswept 59. Side Show 60. Symbol Tree Index About the Author T hom Rouse (M. Photog. MEI, CR, CPP, F-ASP) began his career as a portrait and wedding photographer in 1994. Based near Chicago, he now divides his time between commercial, fine art, and commissioned fine art images with his clients as the central subject of his pieces.
One of features I love about Photoshop as a fine art medium is the opportunity to use images without regard to the time and place of their origin. In my work, an image from a decade or more ago, and from thousands of miles away, might be paired with something from a session yesterday just down the street. Photoshop is an opportunity to create an alternative history with photography. Each component of the image was captured in a separate place and time. Wild Ride was composed from an image of a park in an eastern residential area of Venice.